Seen on the 6 train, Manhattan, NYC. June 2, 2018.
Last year, songwriters Sean Hall and Nathan Butler sued Taylor Swift, arguing that in her single “Shake It Off” she stole a phrase from their composition “Playas Gon’ Play.” Their lawsuit hinged on the phrase “playas, they gonna play, and haters, they gonna hate” — the chorus of their song.
In short, they lost. And it seems they were always [gonna] lose. “At the hearing, Plaintiffs’ counsel offered alternative (very clunky) formulations of pairing a noun with its intransitive verb, thereby suggesting that “[noun] gonna [verb]” was creative in itself. While clever, this argument does not persuade. The argument ultimately only makes sense if the use of “gonna” as a contraction of “is going to” is sufficiently creative, or (as discussed above) one can claim creativity in asserting that a type of person acts in accordance with his or her inherent nature. To explicitly state the argument is to see how banal the asserted creativity is. In sum, the lyrics at issue – the only thing that Plaintiffs allege Defendants copied – are too brief, unoriginal, and uncreative to warrant protection under the Copyright Act.” The BBC told the full story.
“I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation. Continue reading
New Year’s Eve
“I have finished another year,” said God,
“In grey, green, white, and brown;
I have strewn the leaf upon the sod,
Sealed up the worm within the clod,
And let the last sun down.”
“And what’s the good of it?” I said.
“What reasons made you call
From formless void this earth we tread,
When nine-and-ninety can be read
Why nought should be at all?
“Yea, Sire; why shaped you us, ‘who in
This tabernacle groan’—
If ever a joy be found herein,
Such joy no man had wished to win
If he had never known!”
Then he: “My labours—logicless—
You may explain; not I:
Sense-sealed I have wrought, without a guess
That I evolved a Consciousness
To ask for reasons why.
“Strange that ephemeral creatures who
By my own ordering are,
Should see the shortness of my view,
Use ethic tests I never knew,
Or made provision for!”
He sank to raptness as of yore,
And opening New Year’s Day
Wove it by rote as theretofore,
And went on working evermore
In his unweeting way.
— Thomas Hardy, 1906
Christmas Eve, and twelve of the clock.
‘Now they are all on their knees,’
An elder said as we sat in a flock
By the embers in hearthside ease.
We pictured the meek mild creatures where
They dwelt in their strawy pen,
Nor did it occur to one of us there
To doubt they were kneeling then.
So fair a fancy few would weave
In these years! Yet, I feel,
If someone said on Christmas Eve,
‘Come; see the oxen kneel,
‘In the lonely barton by yonder coomb
Our childhood used to know,’
I should go with him in the gloom,
Hoping it might be so.
— by Thomas Hardy
A Spellbound Palace
On this kindly yellow day of mild low-travelling winter sun
The stirless depths of the yews
Are vague with misty blues:
Across the spacious pathways stretching spires of shadow run,
And the wind-gnawed walls of ancient brick are fired vermilion.
Two or three early sanguine finches tune
Some tentative strains, to be enlarged by May or June:
From a thrush or blackbird
Comes now and then a word,
While an enfeebled fountain somewhere within is heard.
Our footsteps wait awhile,
Then draw beneath the pile,
When an inner court outspreads
As ’twere History’s own asile,
Where the now-visioned fountain its attenuate crystal sheds
In passive lapse that seems to ignore the yon world’s clamorous clutch,
And lays an insistent numbness on the place, like a cold hand’s touch.
And there swaggers the Shade of a straddling King, plumed, sworded, with sensual face,
And lo, too, that of his Minister, at a bold self-centred pace:
Sheer in the sun they pass; and thereupon all is still,
Save the mindless fountain tinkling on with thin enfeebled will.
— by Thomas Hardy (Hampton Court)